(Props to Monty)
Or
There’s No Tomorrow
Tony
Martin, who your grandparents might vaguely remember and who shows that
it may be possible to outlive celebrity, has died at the age of 98. The
last of the big-name singer-actors from the golden age of Hollywood
musicals, Martin was Sinatra without the staying power. Or the Mob ties.
He was a featured vocalist on the Burns and Allen radio program,
generally flirting with Gracie. He appeared in 30 films, mostly in the
late 1930s, ‘40s and ‘50s and primarily musicals. Two songs performed by
Martin were nominated for Academy Awards - For Every Man There's a
Woman from Casbah and It’s a Blue World, from Music in My Heart. His
career was put on hold for World War II, where allegations that he had
bribed his way into an officer’s commission in the
Navy prompted him to give up boats for a band – joining Glenn Miller’s
band in the United States Army Air Forces. His film career never really
recovered, and after Hollywood lost interest, he continued performing on
stage, in a cabaret act with his wife Cyd Charisse, and as a solo act
well into his 90s. One of Martin’s other career highlights was the worst
ad-lib in the history of the Friar’s Club. During the Friar’s Roast of
Lucille Ball and Desi Arnaz in November 1958, Harry Parke had just
completed his routine and after returning to his seat, had collapsed
into Milton Berle’s lap. Trying to distract the audience, Berle told
Martin to sing something. So as Parke lay on the floor dying of a heart
attack, Martin broke into “There’s No Tomorrow.”
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